| LANGUAGE:
is a play on words that depends upon the staging |
 |
A human language is a theatre of communication
where the wordplay is understood from the setting and stage design.
Social communication languages in particular depend
significantly on the circumstances.
Be it spoken, musical, rhythmical, scripted or
symbolic, each language structures a mode of perception within which the meaning
of various communication functions is formulated.
All the functions of language involve the transmission of meaning.
From the perspective of nature a language is a
symbolic system for communicating
meaning between awarenesses.
Probably every living thing communicates one way or another with certain
aspects of nature.
Any system of transmitting meaning is a language...not just the vocalizations and
scribblings of humans.
Plants transmit visual and chemical messages.
Insects, birds, mammals and fish all transmit and communicate meaning about
territory, sex and food.
The spoken and written complexification of
the communication capability of humans,
and their corresponding associated cerebral development,
is paralleled by numerous other specializations in nature.
It reveals an attitude of misplaced arrogance
to promote discussions as to when humans are supposed to have evolved language.
It is not a sign of divine superiority.
No living thing is without it.
The numerous language functions form two broad
groups.
One group of functions, such as the informative, assertive and emotive,
involve communications about existential phenomena.
The other group, such as the grammatical and the evaluations of truth, involve
communications about language itself.
Articulated or written the meaning of any word or
word-group sentence depends more
on the function than the grammatical structure.
The intended function of the word sequence
...no eggs are impenetrable... for example, cannot be analysed from literal
dictionary
meanings allied with classifications into verbs and nouns etc.
The meaning is driven by the function the sentence is intended to perform,
the skill of the person delivering them, the awareness of the recipient
and the context in which they are delivered.
Articulated, they could be intended to function as a password into a cryptic society
or a vulnerability warning from
an historian to be careful not to fall off walls.
Scripted they could function as an example of categories used by a lecturer
in syllogistic logic,
a pattern of syntax used by a tutor in grammar,
a sample of text illustrating a printing font,
an exercise for translation into another language,
or an anagram of ...beg some real green paint...
For aural and performance languages meaning is significantly
influenced by delivery.
The spoken language can be modulated by voice intonations,
by carefully judged pauses, by speed of delivery,
by counterpointed non-verbal body-language and gesture,
and of course by choice of vocabulary...just as
music is critically influenced by tempo, phrasing,
instrumental choice and orchestration.
The eventual communication could be quite different
from a conventional common-usage meaning of the actual elements used.
Written or spoken, the meanings conveyed in language are influenced by social
evolution.
Even the meaning of symbolic languages like
mathematics evolves over time.
Although often assumed to be purely axiomatic
and the results somehow logically indisputable,
the concepts involved have historically been frequently in hot dispute.
The concepts of zero,
negative , imaginary, undefined , fraction etc.
have not always been part of the language of mathematics.
Their meanings have been thru much uncertainty and disagreement.
Thus it is that the meaning of any language is multifaceted,
deeply imbued with a potential for ambiguity and deception,
and continuously being unsettled by an
unpredictable existence.
All very obvious you might think, except that most users assume that the
meaning they intend is exactly what will be understood.