| FAME:
a shroud of fashion the fabrication of which is undertaken by vested interest |
 |
Fame is a translucent fabric of notoriety which is judged to be
good or bad according to the period
vogue of certain focus groups.
Thus religious groups document which of their adherents are
worthy of the fame of sainthood or martyrdom whilst the rest of the
universe is entirely indifferent.
Sports code worlds elevate certain performers to celebrity status and fame,
entirely incredulous that most gardeners
are unaware that such an absurd code could even exist.
Every interest group, be it military,
political, scientific,
artistic or whatever, promotes individuals who
according to the mode of the
times are to be installed and mummified in their own in-house hall of fame.
Once the vestments of celebrity are basted around an aspirant by the
opinions of the group's standards promoters,
they are then obsequiously promulgated abroad by
journalistic self interest.
The swarm of media flies feed into the fame promotions,
because denying or contradicting the fame assessment does nothing to enhance their circulation
or promote their own fortunes.
In fact, many journalists find it greatly to their advantage
to take matters into their own hands and initiate proceedings themselves.
They set up factories to fabricate cheap see-thru garments and then
tout them out and about in the market
places trying to fit them onto
any who are either willing or unwary.
The vestments of fame are promoted as much by the adulators of trivia as by the
reviewers of excellence and yet both do so to serve ends
which suit themselves as much as the wearers of the reported fame.
The famous and the promoters of fame are often mutually dependent whilst
they both are living but after
death any remnant costumery eventually passes
to the curators of relevance.
These curators cyclically rearrange the museum display
to suit their interpretation of the mood of the times.
The positioning of the lighting, the variable perspectives
and ages of the audiences, ensure that fame and infamy become quite indistinguishable.
Fame is often supposed to clothe an individual, an idea,
or a tourist
promotion but it is never any more than a transient translucent garment,
acceptable only if the current norms of populace
decorum deem it so.
A military leader responsible for mass slaughter will
not be famous as a hero to the group on the receiving end of the carnage.
The idea of blood-letting has has little positive medical
press recently.
The fame of a natural wonder, like a limestone cave ecosystem or
a grotto of prehistoric paintings, can quickly become infamous for being destroyed
by the tourist traffic promoted by the fame.
Even the pomp of a state funeral,
which is ostensibly a public recognition of earthly fame,
is not entirely for the dead.
It can no longer appeal to them.
A state funeral may indeed provide a focus for the citizenry
to indulge their private evaluations of the deceased but the event
is as much about the imposition on the living of biased attitudes, the promotions of
authority values
and the display of ceremony and resources to the world at large.