| DANCE:
A display of rhythmic bodily movement performed with the intention of arousing primordial emotions. |
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In its traditional ethnic-cultural
form, it is the most immediate physical mode of participation
and contribution to the rhythmic patterns of a cultural tradition.
The patterning of the bodily movement is facilitated most readily with percussion,
but often is also embellished with culturally symbolic
art forms, music and
language.
It is itself a language which can facilitate social interactions and can
sustain tradition and myth especially if there is no technology
of written records.
Dance is a cultural phenomena which perpetuates
the stories and traditions and attitudes across the generations,
by establishing memories of movement, rhythm,
music and costumery in the minds of the individuals.
It is a powerfully cohesive activity.
It has the capability of uniting an audience in a theatre of
entertainment.
It can invoke culturally oriented imaginings of deities
supposed to be able to influence the chaos of
nature.
It can induce a heightened collective commitment to the lethal objectives of
war.
Like any other human endeavour activity however,
dance forms have been refined and complexified.
They have been made dependent upon a variety of extreme physical capacities,
so that participation in a complicated choreography is denied to most of a population.
For most, it has become no more than a visual and aural spectacle.
For the general populace, it has become a physically enformed interpretation of music
and complex rhythms generated for public performance, display and
profit.
At an individual level however, like any art form,
dance can always function as a medium of self-expression and escape from reality...
in spite of the attempts to transform it into a competitive sport.
In cultures where dance for the general populace no longer functions
as reinforcing any sort of social solidarity, two elements of
dance , that of therapeutic exercise and the simulation of
copulation, are the participation residue.
In this context, dance has become either a compensatory exercise for the obese and the
sedentary, or a drug sustained display of sexual provocation.